Lazarus bowie1/8/2024 The show’s unconventional nature also makes the choice of venue a smart one. (That album yields a handful of the more recent songs used here.) Parson, contributing stylized dance elements that incorporate jolts of violence and fight movement and music director Henry Hey, who first worked with Bowie on 2013’s The Next Day. Also on the team are the director’s longtime set and lighting design partner Jan Versweyveld frequent video accomplice Tal Yarden choreographer Annie-B. Given that Bowie wrote music for the movie that was shelved in favor of a score by John Phillips and Stomu Yamashta, Lazarus can be considered the completion of that earlier work.īowie has chosen interesting collaborators in Irish playwright Enda Walsh, who spun a distinctive musical out of Glen Hansard’s songs in Once, and Belgian avant-garde theater maker Ivo van Hove, whose starkly stripped-down textual probes have memorably included an Angels in America that made haunting use of Bowie songs. The project was initiated by Bowie, who has long nurtured the idea of a return to the character he played onscreen in the Nicolas Roeg film based on American writer Walter Tevis‘ 1963 sci-fi novel. Read more ‘The Last Panthers’: David Bowie Releases First Original TV Song in 20 Years If the production occasionally veers toward camp - one scene recalls the strobe number in which Jennifer Beals‘ welder/exotic dancer got a little too artsy for a Pittsburgh titty bar in Flashdance - that ends up being part of the spell. And it includes stunning video elements that overlap and merge with the physical action in mesmerizing ways. Is it a play with music or a musical? Either way it’s jammed full of Bowie tracks - the best of them from the ‘ 70s - plus a couple of new songs, all expertly performed by an ace cast led by Michael C. So the two intermission-less hours of Lazarus are predictably strange, often impenetrable and a tad pretentious, but always fascinating, even when distancing. The show is an alienation alt-musical that channels the trippy dream state of an alcoholic extraterrestrial insomniac. 'Appropriate' Review: Sarah Paulson Is Entertainingly Vicious in Caustic Broadway Family Dramaĭoes the result live up to expectations? That will depend on your devotion to the Thin White Duke - or whether you can score a ticket, given that the extended run is already pretty much sold out through its Jan. So Lazarus, in which Bowie revisits the character he played in the 1976 cult movie, The Man Who Fell to Earth, arrives with massive anticipation. Despite various rumors and aborted attempts over the decades, however, a full-fledged detour into musical theater hasn’t really happened until now. His famous “ Ziggy Stardust” concerts in 1972 were revolutionary in their incorporation of theater and multimedia elements into a rock show. Ever since David Bowie first gained attention in 1969 with “Space Oddity,” and then re-emerged three years later to captain the British glam-rock wave of the early 1970s, his music has combined complex abstract narrative with inherently theatrical flamboyance.
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